Job 1:13-22

Job's first trial; and its issue: his reverence towards God remains unshaken

Between Job 1:12 there is an interval, an ominous stillness like that which precedes the storm. The poet has drawn aside the curtain to us and we know what is impending. Job knows nothing. His children are about him and he thinks the Almighty is yet with him, Job 29:5. The earth smiles to him as it was wont by day; and by night the Bear, Orion and the Pleiades come forth in their silent procession, and the Dragon trails his glittering folds across the heavens overhead, and he looks with wonder into the deep chambers of the South. All is glorious with a constant glory because it is an unchanging hand that leads them forth, the hand of the Holy One from whose words he has never declined, Job 6:10, and whose candle as he deems still shines upon his head, Job 29:3. He does not know that he is being played for like a pawn. Suddenly the catastrophe overtakes him. Messenger after messenger, each taking up his tale of ruin before the other has concluded his, announce that all he had has been taken from him. Heaven and earth have combined to overwhelm him. The forces of nature and the destructive violence of men have united to strip him bare.

The description has many features of the ideal. First, the catastrophe befell on the day when Job's children were feasting in their eldest brother's house, Job 1:13, the day on the morning of which Job had sent for his children and sanctified them and offered sacrifices on their behalf. Job's godliness and his calamity are brought into the closest contrast. He felt this, and as he regarded every event as wrought by the hand of God immediately, his afflictions threw his mind into the deepest perplexity regarding the ways of God. Again, while heaven and men alternate their strokes upon him, these strokes follow one another with increasing severity, and in each case only one escapes to bring the grievous tidings. The rapid touches of the Author do not suggest any struggle or rising rebelliousness in Job's mind. He manifests the liveliest grief, but maintains his self-control. And the scene closes upon the sufferer, a solitary man, worshipping God amidst the waste where his rich possessions once had lien.