Revelation 17:3

So he carried me away, &c. Namely, in the vision. As Ezekiel, while he was a captive in Chaldea, was conveyed by the Spirit to Jerusalem, (Ezekiel 8:3,) so John is carried away in the Spirit into the wilderness; for there the scene is laid, being a scene of desolation. When the woman, the true church, was persecuted and afflicted, she was said (Rev 12:14) to flee into the wilderness: and, in like manner, when the woman, the false church, is to be destroyed, the vision is presented in the wilderness. For they are by no means, as some have imagined, the same woman, under various representations. They are totally distinct and different characters, and drawn in contrast to each other, as appears from their whole attire and behaviour, and particularly from these two circumstances, that during the one thousand two hundred and sixty years, while the woman is fed in the wilderness, the beast and the scarlet whore are reigning and triumphant, and, at the latter end, the whore is burned with fire, when the woman, as his wife, hath made herself ready for the marriage of the Lamb. And I saw a woman sit upon a scarlet- coloured beast The same which is described chap. 13., but he was there described as he carried on his own designs only; here he is connected with the whore. A woman sitting upon a beast is a lively and significative emblem of a church or city directing and governing an empire. In painting and sculpture, as well as in prophetic language, cities are often represented in the form of women: and Rome herself is exhibited, in ancient coins, as a woman sitting upon a lion. Here the beast is a scarlet-coloured beast, bearing the bloody livery, as well as the person of the woman, called so for the same reason that the dragon (Rev 12:3) was termed a red dragon, namely, to denote his cruelty, and in allusion to the distinguishing colour of the Roman emperors and magistrates. The beast is also full of names of blasphemy He had before a name of blasphemy upon his heads, (Revelation 13:1,) now he has many: from the time of Hildebrand, the blasphemous titles of the Roman pontiff have been abundantly multiplied; having seven heads Which reach in a succession from his ascent out of the sea to his being cast into the lake of fire; and ten horns Which are contemporary with each other, and belong to his last period. So that this is the very same beast which was described in the former part of chap. 13: and the woman, in some measure, answers to the two-horned beast, or false prophet; and consequently the woman is not pagan, but Christian Rome; because Rome was become Christian before the beast had completely seven heads and ten horns; that is, before the Roman empire experienced its last form of government, and was divided into ten kingdoms.