And when the woman saw... she took. — Heb., And the woman saw... and she took, &c. In this, the original form of the narrative, we see the progress of the temptation detailed in a far more lively manner than in our version. With awakened desire the woman gazes upon the tree. The fruit appears inviting to the eye, and possibly was really good for food. The whole aspect of the tree was beautiful; and, besides, there was the promise held out to her that it possessed the mysterious faculty of developing her intellectual powers. To this combined influence of her senses without and her ambition within she was unable to offer that resistance which would have been possible only by a living faith in the spoken word of God. She eats, therefore, and gives to her husband — so called here for the first time — and he eats with her. The demeanour of Adam throughout is extraordinary. It is the woman who is tempted — not as though Adam was not present, as Milton supposes, for she has not to seek him — but he shares with her at once the gathered fruit. Rather, she is pictured to us as more quick and observant, more open to impressions, more curious and full of longings than the man, whose passive behaviour is as striking as the woman’s eagerness and excitability.

Continues after advertising
Continues after advertising