‘But tidings out of the east and out of the north will trouble him, and he will go forth with great fury to destroy and utterly to make away many, and he will plant the tents of his palace (his palatial tents) between the sea and the mountain of the delight of holiness. Yet he will come to his end and none will help him.'

His god is the god of fortresses, and he wars to the end. But Satan's kingdom is divided. The world fight each other as well as the people of God. Yet in the end he cannot get away from his conflict with the people of God. He plants his palatial tents between the sea(s) and the glorious holy mountain.

‘The seas.' This is plural. It may be a plural of intensity and thus be depicting the Great Sea, the Mediterranean. Or it may signify between the Great Sea and the Dead Sea.

This site is ever the site where the last great events on earth are depicted (Joel 3:2; Joel 3:12; Isaiah 2:2; Zechariah 14:2). Is the mountain of the delight of holiness the new heavenly Jerusalem? Or is it the high mountain on which Ezekiel saw in vision the heavenly temple, that site which he saw as especially holy and surrounded by an especially holy portion of land? Or is it both, representing in the end the heavenly temple and the new Jerusalem? (Ezekiel's temple is specifically stated not to be in Jerusalem, but many miles away from it. The pictures cannot be the same literally. But are they meant to be literal? Certainly Ezekiel's is a visionary temple with no suggestion that it should be built).

And there he meets his final end with none to help him, for they are in no position to do so (Revelation 19:11).

(It should be noted that there is in all this no limitation in period. The seventieth seven is really dealing with the future, after the death of the Messiah, for the people of God. The desolations mentioned in it are part of the desolations that the world continually faces. But we have no right to ‘fit everything in' to our picture. To do so is to restrict God. This prophecy must stand on its own).

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