Acts 19:1-41

IN EPHESUS (Acts 19:1-7)

Acts 19:1-41 is mainly concerned with Paul's work in Ephesus. He stayed longer there than anywhere else, almost three years.

(i) Ephesus (G2181) was the market of Asia Minor. In those days trade followed the river valleys. Ephesus stood at the mouth of the Cayster and therefore commanded the richest hinterland in Asia Minor. Revelation 18:12-13 gives a description of the trade of Ephesus. She was known as "The Treasure House of Asia" and someone has called her, "The Vanity Fair of Asia Minor."

(ii) She was an Assize Town. That is to say, at specified times the Roman governor came there and great cases of justice were tried. She knew the pomp and pageantry of Roman power and Roman justice.

(iii) She was the seat of the Pan-Ionian Games which the whole country came to see. To be president of these games and to be responsible for their organization was a greatly coveted honour. The men who held this high office were called Asiarchs and are referred to in Acts 19:31.

(iv) She was the home of criminals. The Temple of Diana possessed the right of asylum. That is to say, any criminal reaching the area round the temple was safe. Inevitably, therefore, Ephesus had become the home of the criminals of the ancient world.

(v) She was a centre of pagan superstition. She was famous for charms and spells called "Ephesian Letters." They were guaranteed to bring safety on a journey, to bring children to the childless, to bring success in love or business enterprise. From all over the world people came to buy these magic parchments which they wore as amulets.

(vi) The greatest glory of Ephesus was the Temple of Artemis. Artemis and Diana were one and the same, Artemis (G735) being the Greek name, Diana the Latin. This Temple was one of the Seven Wonders of the World. It was 425 feet long by 220 feet wide by 60 feet high. There were 127 pillars, each the gift of a king. They were all of glittering Parian marble and 36 were marvellously gilt and inlaid. The great altar had been carved by Praxiteles, the greatest of all Greek sculptors. The image of Artemis was not beautiful. It was a black, squat, many-breasted figure, signifying fertility; it was so old that no one knew where it had come from or even of what material it was made. The story was that it had fallen from heaven.

INCOMPLETE CHRISTIANITY (Acts 19:1-7 continued)