Revelation 6:1,2

And I saw, when the Lamb opened the first of the seals, and I heard one of the four living creatures saying with a loud voice like the sound of thunder: "Come!" And I saw, and, behold a white horse, and he who was seated on it had a bow, and a conqueror's crown was given to him, and he went forth conquering and to conquer.

As each of the seven seals is broken and opened, a new terror falls upon the earth. The first terror is depicted under the form of a white horse and its rider. What do they represent? Two explanations have been suggested, one of which is certainly wrong.

(i) It has been suggested that the rider on the white horse is the victorious Christ himself. This conclusion is drawn because this picture is connected by some commentators with that in Revelation 19:11-12 which tells of a white horse and on it a rider, called Faithful and True and crowned with many crowns, who is the victorious Christ. It is to be noted that the crown in this passage is different from that in Revelation 19:1-21. Here the crown is stephanos (G4735), which is the victor's crown; in Revelation 19:1-21 it is diadema (G1238), which is the royal crown. The passage we are here studying is telling of woe upon woe and disaster upon disaster; any picture of the victorious Christ is quite out of place in it. This picture tells of the coming not of the victor Christ but of the terrors of the wrath of God.

(ii) Quite certainly, the white horse and its rider stand for conquest in war. When a Roman general celebrated a triumph, that is, when he paraded through the streets of Rome with his armies and his captives and his spoils after some great victory, his chariot was drawn by white horses, the symbol of victory.

But, as we said in the introduction to this passage, John is clothing his predictions of the future in pictures of the present which his readers would recognize. The rider of the horse had in his hand a bow. In the Old Testament the bow is always the sign of military power. In the final defeat of Babylon her mighty men are taken and their bows--that is, their military power--destroyed (Jeremiah 51:56). God will break the bow of Israel in the valley of Jezreel (Hosea 1:5). God breaks the bow and shatters the spear in sunder and burns the chariots with fire; that is, against him no human military power can stand (Psalms 46:9). The bow, then, would always stand for military power. But there is one particular picture which the Romans and all who dwelt in Asia would at once recognize. The one enemy whom. the Romans feared was the Parthian power. The Parthians dwelt on the far eastern frontiers of the Empire and were the scourge of Rome. In A.D. 62 an unprecedented event had occurred; a Roman army had actually surrendered to Vologeses, the king of the Parthians. The Parthians rode white horses and were the most famous bowmen in the world. A "Parthian shot" still means a final, devastating blow, to which there is no possible answer.

So, then, the white horse and its rider with the bow stand for militarism and conquest.

Here is something which it has taken men long to learn. Military conquest has been presented as a thing of glamour; but it is always tragedy. When Euripides wished to depict warfare upon the stage, he did not bring on an army with banners. He brought on a bent and bewildered old woman leading by the hand a weeping child who had lost his parents. During the Spanish civil war a journalist told how he suddenly realized what war was. He was in a Spanish city in which the opposing parties were waging guerrilla warfare. He saw walking along the pavement a little boy, obviously lost, and bewildered and terrified, dragging along a toy which had lost its wheels. Suddenly there was the crack of a rifle shot; and the little boy pitched on the ground, dead. That is war. First among the tragic terrors of the terrible times John sets the white horse and the man with the bow, the vision of the tragedy of militaristic conquest.

The Blood-red Horse Of Strife (Revelation 6:3-4)