(1-4) First and second days of Creation. Instead, however, of describing the creation of light, the poet makes a sublime approach to his theme by treating it as a symbol of the Divine majesty. It is the vesture of God, the tremulous curtain of His tent, whose supporting beams are based, not on the earth, but on those cloud-masses which form an upper ocean. This curtain is then, as it were, drawn aside for the exit of the Monarch attended by His throng of winged messengers.

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