Exodus 15:11

_WHO IS LIKE UNTO THEE, O LORD, AMONG THE GODS? WHO IS LIKE THEE, GLORIOUS IN HOLINESS, FEARFUL IN PRAISES, DOING WONDERS?_ Who is like unto thee, O Lord, among the gods? х_ BAA'EELIM_ (H410)] - not potentates and great men, but the pagan gods (cf. Psalms 86:8, where _ 'ªLOHIYM_ (H430), gods, is used); and the interrogative form of the outcry implies a strong negation. There is here a retrospective glance at the grand result of the exodial crisis. That was a conflict between two spiritual kingdoms-the kingdom of light and true religion on the one hand, and that of darkness and idolatrous superstition, carried on in a series of appalling calamities upon Egypt culminating in the awful catastrophe of the Red Sea, whereby was unmistakeably demonstrated the insignificance, or rather, no

11._Who is like unto thee? _Moses concludes this song of praise with an ejaculation, because the grandeur of the subject transcends the power of words. The interrogation expresses more than as if he had simply asserted that none can be compared with God; because it marks both admiration and assured confidence in the truth of what he says; for he exclaims, as if overwhelmed with astonishment, “Who is like unto thee, O Lord?” The notion of some that by the word “gods” he means the angels, is more suitable to other passages; for instance, (Psalms 89:6,) “Who in heaven can be compared unto the Lord; who among the sons (162) of the mighty can be likened unto the Lord?” for it immediately follows, “God is greatly to be feared in the assembly of the saints, and to be had in reverence of all them that are round about him.” ...

1-21 This song is the most ancient we know of. It is a holy song, to the honour of God, to exalt his name, and celebrate his praise, and his only, not in the least to magnify any man. Holiness to the Lord is in every part of it. It may be considered as typical, and prophetical of the final destruction of the enemies of the church. Happy the people whose God is the Lord. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but his grace is their strength. They are often in sorrow, but in him they have comfort; he is their song. Sin, and death, and hell threaten them, but he is, and will be their salvation. The Lord is a God of almighty power, and woe to those that strive with their Maker! He is a God of matchless perfection; he is glorious in holiness; his holiness is his glory. His holiness appears in the hatred of sin, and his wrath ag...

Verse Exodus 15:11. _WHO_ IS _LIKE UNTO THEE, O LORD, AMONG THE GODS?_] We have already seen that all the Egyptian gods, or the objects of the Egyptians' idolatry, were confounded, and rendered completely despicable, by the _ten plagues_, which appear to have been directed principally against _them_. Here the people of God exult over them afresh: Who among _these gods_ is like unto THEE? _They_ can neither _save_ nor _destroy_; THOU dost both in the most signal manner. As the original words מי כמכה באלם יהוה _mi chamochah baelim_ _Yehovah_ are supposed to have constituted the _motto_ on the ensign of the _Asmoneans_, and to have furnished the name of _Maccabeus_ to _Judas_, their grand captain, from whom they were afterwards called _Maccabeans_, it may be necessary to say a few words o

With the deliverance of Israel is associated the development of the national poetry, which finds its first and perfect expression in this magnificent hymn. It was sung by Moses and the people, an expression which evidently points to him as the author. That it was written at the time is an assertion expressly made in the text, and it is supported by the strongest internal evidence. In every age this song gave the tone to the poetry of Israel; especially at great critical epochs of deliverance: and in the book of Revelation Exodus 15:3 it is associated with the final triumph of the Church. The division of the song into three parts is distinctly marked: Exodus 15:1; Exodus 15:6

EXPOSITION THE SONG OF MOSES. Full of gratitude, joy, and happiness—burning with a desire to vent in devotional utterance of the most fitting kind, his intense and almost ecstatic feelings, Moses, who to his other extraordinary powers, added the sublime gift of poesy, composed, shortly after the passage, a hymn of praise, and sang it with a chorus of the people as a thanksgiving to the Almighty. The hymn itself is generally allowed to be one of transcendent beauty. Deriving probably the general outline of its form and character of its rhythm from the Egyptian poetry of the time, with which Moses had been familiar from his youth, it embodies ideas purely Hebrew, and remarkable for grandeur, simplicity, and depth. Naturally, as being the first outburst of the poetical genius of the nation, and also connected with the very commencement of the national life, it exerted the most important for...

WHO IS LIKE UNTO THEE, O LORD, AMONG THE GODS?.... For the perfections of his nature, for the blessings of his goodness, and for the works of his hands; and especially for the greatness and excellency of his power, seen in the salvation of his people, and the ruin of their enemies: there is none like him "among the mighty ones", as it may be rendered; among the mighty angels, who excel in strength, and are sometimes called gods; or among the mighty ones on earth; or the sons of the mighty, kings, princes, judges, and civil magistrates of every rank and order; especially for the following things: WHO IS LIKE THEE, GLORIOUS IN HOLINESS? some understand this of the holy place, either heaven, where Christ is glorious above all created beings; or the church, where he shows himself glorious to his people: others, of holy persons, either holy angels, among whom he was at Sinai, and when he asc...

Exodus 15:1. Then sang Moses and the children of Israel this song unto the LORD, and spake, saying, I will sing unto the LORD, for he hath triumphed gloriously: the horse and his rider hath he thrown into the sea. The LORD is my strength and song, and he is become my salvation: he is my God, and I will prepare him an habitation; my father's God, and I will exalt him. The LORD is a man of war: the LORD is his name. Pharaoh's chariots and his host hath he cast into the sea: his chosen captains also are drowned in the Red sea. The depths have covered them: they sank into the bottom as a stone. Thy right hand, O LORD, is become glorious in power: thy right hand, O LORD, hath dashed in pieces the enemy. And in the greatness of thine excellency thou hast overthrown them that rose up against thee: thou sentest forth thy wrath, which consumed them as stubble. And with the blast of thy nostrils t...

7. THE SONG OF REDEMPTION CHAPTER 15:1-21 _ 1. Jehovah acknowledged and praised (Exodus 15:1)_ 2. The victory celebrated as His victory (Exodus 15:3) 3. His holiness praised (Exodus 15:11) 4. His enemies tremble (Exodus 15:14) 5. Thou shalt bring them in (Exodus 15:17) 6. The judgment and salvation (Exodus 15:19) 7. The women's chorus ...

THE SONG OF TRIUMPH (Exodus 15:1 J, Exodus 15:2 ( PSALM), Exodus 15:19 R, Exodus 15:20 F. E). The oldest undoubtedly genuine fragments of Heb. song are short (p. 44). And Miriam's brief burst of unpremeditated song (Exodus 15:21) ranks with the surest and greatest of these. Sing to Yahweh, for He rose in His might, horse and chariot (reading _recheb)_ He flung into the sea. Gressmann claims this song as confirming his volcanic theory of the crossing. At least it is complete in itself, and has double attestation, being found as...