Song of Solomon 2:8

The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills. THE VOICE - an exclamation of joyful surprise, evidently after a long silence. The restlessness of sin () and the fickleness on her part had disturbed His rest with her, which she had professed not to wish disturbed 'until He should please.' He left her, but in sovereign grace unexpectedly heralds His return. She awakes, and at once recognizes His voice: her sleep is not so sinfully deep as in . LEAPING - bounding, as the roe does, over the roughest obstacles; as the Father of the prodigal "had compassion and ran." UPON THE HILLS - as the sunbeams glancing from hill to hill. Historically, the coming of "the kingdom of heaven...

8-13 The church pleases herself with thoughts of further communion with Christ. None besides can speak to the heart. She sees him come. This may be applied to the prospect the Old Testament saints had of Christ's coming in the flesh. He comes as pleased with his own undertaking. He comes speedily. Even when Christ seems to forsake, it is but for a moment; he will soon return with everlasting loving-kindness. The saints of old saw him, appearing through the sacrifices and ceremonial institutions. We see him through a glass darkly, as he manifests himself through the lattices. Christ invites the new convert to arise from sloth and despondency, and to leave sin and worldly vanities, for union and communion with him. The winter may mean years passed in ignorance and sin, unfruitful and miserable, or storms and tempests that accompanied his conviction of guilt and danger. Even the unripe fru...

Verse Song of Solomon 2:8. _BEHOLD, HE COMETH LEAPING_] This appears to be highly characteristic of the gambols of the shepherds, and points out the ecstasy with which those who were enamoured ran to their mates. It is supposed that the _second day's eclogue_ begins at this verse. The author of what was then called _A New Translation of Solomon's_ _Song_, observes, 1. The bride relates how the bridegroom, attended by his companions, had come under her window, and called upon her to come forth and enjoy the beauties of the spring, Song of Solomon 2:9, c. 2. She then returns to her narration, Song of Solomon 3:1. The bridegroom did not come according

The bride relates to the chorus a visit which the beloved had paid her some time previously in her native home. He on a fair spring morning solicits her company. The bride, immersed in rustic toils, refuses for the present, but confessing her love, bids him return at the cool of day. It is a spring-time of affection which is here described, still earlier than that of the former chapter, a day of pure first-love, in which, on either side, all royal state and circumstance is forgotten or concealed. Hence, perhaps, the annual recitation of the Song of Songs by the synagogue with each return of spring, at the Feast of Passover, and special interpretations of this passage by Hebrew doctors, as referring to the paschal call of Israel out of Egypt, and by Christian fathers, as foreshadowing the evangelic mysteries of Easter - Resurrection and Regeneration. The whole scene has also been thought...

EXPOSITION SONG OF SOLOMON 2:2 AS A LILY AMONG THORNS, SO IS MY LOVE AMONG THE DAUGHTERS. The king responds, taking up the lovely simile and giving it a very apt and charming turn, "My love is beyond comparison the chief and all around her are not worthy of notice beside her." The meaning is not thorns on the tree itself. The word would be different in that case. Rather it is thorn plants or bushes (_choach_);_ _see 2 Kings 14:9. _The daughters_;_ i.e._ the young damsels. The word "son" or "daughter" was commonly so used in Hebrew, the idea being that of simplicity, innocence, and gentleness. Song of Solomon

THE VOICE OF MY BELOVED!.... So says the church, who well knew Christ her beloved's voice; which is known by all believers in him, and is distinguished by them from the voice of others; by the majesty and authority of it; by the power and efficacy of it; by its directing them to himself, and by the pleasure it gives them: and she speaks of it as being very delightful to her; it being the voice of him whom she loved, and a voice of love, grace, and mercy, of peace, pardon, righteousness, and salvation; and, being observed before, what follows shows that Christ is heard before he is seen; he is first heard of in the Gospel, before he is seen, by an eye of faith: and such would have others observe the voice of Christ as well as they, for here the church speaks to the daughters of Jerusalem; and it seems by this, that, by some means or another, Christ had been disturbed, and had departed fro...

Here we have a dialogue of love between the Lord Jesus and his people. Song of Solomon 2:1. _I am the rose of Sharon, and the lily of the valleys._ Amongst all flowers, there is none that can be compared with him. «White is his soul, from blemish free, Red with the blood he shed for me.» Song of Solomon 2:2. _As the lily among thorns, so is my love among the daughters._ The child of God cannot long be mistaken for a worldling. The lily rises up above its thorny companions, but everybody knows that it is not a thorn; and chiefly do the quick eyes of the Lord Jesus discern his people wherever they may be found. You, dear friend, may perhaps come of a graceless family, or you may live in a house where God i

CHAPTER 2 The voice of the bride is heard again in the opening verses of this chapter; some understand it as meaning the Messiah speaking of Himself as the Rose and the Lily of the valley, but it is rather the bride. She is in her purity and separation like the lily among thorns, among the apostates of the nation during the end of the Jewish age. Of the Messiah she speaks as the apple-tree. She has no fruit of herself, but rests under Him as the blessed fruit-bearer. Under Him she finds her shelter, while He protects her and she can enjoy His fruit under His shadow. There she, and all true believers have rapture and rest and enjoy His fruit, which is sweet to the taste. The Bridegroom has brought her to His own place. She is in the house of wine (the better translation, instead of banqueting house). Unlimited joy and gladness are now her portion; the banner of love is over her; while she...

SONG OF SOLOMON 2:8 contains one of the most beautiful poems in the whole book; it breathes the air of the fresh spring-time, when, according to our own poet, a young man's fancy lightly turns to thoughts of love; here it is a young woman's fancy that hears the steps of the beloved hastening over the mountains, drawn by the sweet attractiveness of love. (1) The beloved comes (Song of Solomon 2:8 f.). (2) His speech (Song of Solomon 2:10). (3) The bride calls for his companionship (Song of Solomon 2:16 f.). Note the vividness, the dramatic force, of the opening words, Hark my belo

VOICE. sound: e.g. footsteps (Genesis 3:8). MY BELOVED. Masculine. Showing that the Shulamite is the speaker. HE: emphatic. this (very one). COMETH. came. SKIPPING. bounding....