Song of Solomon 7:11

Come, my beloved, let us go forth into the field; let us lodge in the villages. FIELD - the country. "The field (of the Gospel kingdom) is the world" (). Into this world-wide field the Church, in "going forth" according to her Lord's command (), begs her Lord's presence with her, according to her Lord's promise, "Lo, I am with you alway" (Matthew 28:19). "The tender grape" (, and "vines" occurred before (). But here she prepares for Him all kinds of fruit, old and new; also, she anticipates, in going forth to seek them, communion with Him in...

10-13 The church, the believing soul, triumphs in its relation to Christ, and interest in him. She humbly desires communion with him. Let us walk together, that I may receive counsel, instruction, and comfort from thee; and may make known my wants and my grievances to thee, with freedom, and without interruption. Communion with Christ is what all that are made holy earnestly breathe after. And those who would converse with Christ, must go forth from the world. Wherever we are, we may keep up communion with God. Nor should we go where we cannot in faith ask him to go with us. Those who would go abroad with Christ, must begin early in the morning of their days; must begin every day with him, seek him early, seek him diligently. A gracious soul can reconcile itself to the poorest places, if it may have communion with God in them; but the most delightful fields will not satisfy, unless the...

Verse 11. _LET US GO FORTH INTO THE FIELD_] It has been conjectured that the bridegroom arose early every morning, and left the bride's apartment, and withdrew to the country; often leaving her asleep, and commanding her companions not to disturb her till she should awake of herself. Here the bride wishes to accompany her spouse to the country, and spend a night at his country house....

EXPOSITION SONG OF SOLOMON 7:1 HOW BEAUTIFUL ARE THY FEET IN SANDALS, O PRINCE'S DAUGHTER! THE JOINTS OF THY THIGHS ARE LIKE JEWELS, THE WORK OF THE HANDS OF A CUNNING WORKMAN. To the ladies who are looking on the bride appears simply noble and royal. The word _naudhib _which is used, translated "prince's daughter," means "noble in disposition," and so in birth and rank, as in 1 Samuel 2:8; Psalms 113:8; so in So 6:12, "the princely people." The description, which is perfectly chaste, is intended to bring before the eye the lithe and beautiful movements of an elegant ,lancer; the bendings of the body, full of activity and grace, are compared to the swi

COME, MY BELOVED,.... The word come is often used by Christ, and here by the church, in imitation of him; see Song of Solomon 2:10. This call is the call of the church upon Christ, to make good his promise, Song of Solomon 7:8; and is an earnest desire after the presence of Christ, and the manifestations of his love; which desire is increased the more it is enjoyed; and it shows the sense she had of her own insufficiency for the work she was going about: she knew that visiting the several congregations of the saints would be to little purpose, unless Christ was with her, and therefore she urges him to it; not that he was backward and unwilling to go with her, but he chooses to seem so, to make his people the more earnest for his presence, and to prize it the more when they have it

CHAPTER 7 The rapturous outburst in praise of the bride, the saved and glorified remnant of Israel, with which this chapter begins, must not be put into the lips of the bridegroom, the Messiah-King. It is the praise of the daughters of Jerusalem, who now recognize her as the beloved of the King. Her highest confession is found in this chapter. He begins to speak of her with Song of Solomon 7:6, “How fair and pleasant art thou, my love, in delights.” She answers His expressions of love. “I am my Beloved's, and His desire is toward me.” This is the highest--to know she possesseth Him and that His heart's delight is in her. This, too, is our happy knowledge. We know He belongs to us; we are Christ's and in us He has, and finds, His delight. Blessed is the scene with which this chapter closes. He calls on her to go forth with Him into the fields, to go to the vineyards, to see

SONG OF SOLOMON 6:13 TO SONG OF SOLOMON 8:4. THE DANCING BRIDE AND THE RAPTURE OF LOVE. This section also is probably composed of different lyrics, though it is difficult to separate them; we have first the description of the loved one or bride in the act of dancing, then the comparison of her figure to a date palm, and finally a song of love and spring, concluding with the repetition of Song of Solomon 2:6 f. In Song of Solomon 7:1 it is possible that we have a descriptive poem setting forth the charms of the bride and sung by a chorus of women at the wedding dance....

COME, MY BELOVED. (Masc). See note on Song of Solomon 1:2. Thus she apostrophises her beloved (shepherd)....

Song of Solomon 7:7 Chap. Song of Solomon 8:4. The King and the Shepherdess the last Assault We may suppose that after her attendants have completed the Shulammite's adornment, and have finished their fulsome praises of her beauty, she receives a new visit from the king. In Song of Solomon 7:7-9 he gives utterance to his admiration in more sensuous terms than ever, and in Song of Solomon 7:9 _b_she turns his talk aside, and dwells upon her lover. In Song of Solomon 7:10 she gives h

TEXT 7:118:4 _Shulammite:_ Invitation to the Shepherd, Song of Solomon 7:11 to Song of Solomon 8:2 Aside to Court Ladies, Song of Solomon 8:3 Adjuration to Court Ladies, Song of Solomon 8:4 (final) 11. Come, my beloved, let us go forth into the field; Let us lodge in the villages. 12. Let us get up early to the vineyards; Let us see whether the vine hath budded, And its blossom is open, And the pomegranates are in flower; There will I give thee my love. 13. The mandrakes give forth fragrance; And at our d