Exodus 28:11

_AND THEY SHALL MAKE THE EPHOD OF GOLD, OF BLUE, AND OF PURPLE, OF SCARLET, AND FINE TWINED LINEN, WITH CUNNING WORK._ Ephod. It was a very gorgeous robe, made of byssus, curiously embroidered, and dyed with variegated colours, and further enriched with golden tissue, the threads of gold being either originally interwoven or afterward inserted by the embroiderer. It was short, reaching from the breast to a little below the loins; and though destitute of sleeves, retained its position by the support of straps thrown over each shoulder. These straps or braces, connecting the one with the back, the other with the front piece of which the tunic was composed, were united on the shoulder by two onyx stones, serving as buttons, and on which the names of the twelve tribes were engraved, and set in golden encasements. It was essential to all acts of divine worship; and none ever inquired of the...

6-14 This richly-wrought ephod was the outmost garment of the high priest; plain linen ephods were worn by the inferior priests. It was a short coat without sleeves, fastened close to the body with a girdle. The shoulder-pieces were buttoned together with precious stones set in gold, one on each shoulder, on which were engraven the names of the children of Israel. Thus Christ, our High Priest, presents his people before the Lord for a memorial. As Christ's coat had no seam, but was woven from the top throughout, so it was with the ephod. The golden bells on this ephod, by their preciousness and pleasant sound, well represent the good profession that the saints make, and the pomegranates the fruit they bring forth....

Verse Exodus 28:11. _LIKE THE ENGRAVINGS OF A SIGNET_] So _signets_ or _seals_ were in use at this time, and _engraving on precious stones_ was then an art, and this art, which was one of the most elegant and ornamental, was carried in ancient times to a very high pitch of perfection, and particularly among the ancient Greeks; such a pitch of perfection as has never been _rivalled_, and cannot now be even well _imitated_. And it is very likely that the Greeks themselves borrowed this art from the ancient _Hebrews_, as we know it flourished in Egypt and Palestine long before it was known in Greece....

(Compare Exodus 39:1.) Moses is now commanded to commit all that pertains to the offerings made to the Lord in the sanctuary to the exclusive charge of the members of a single family, who were to hold their office from generation to generation. In the patriarchal times, the external rites of worship had generally been conducted by the head of the tribe or family, in accordance with the principle involved in the dedication of the firstborn Exodus 13:2; Numbers 3:12. Moses, as the divinely-appointed and acknowledged leader of the nation, had, on a special occasion, appointed those who were to offer sacrifice, and had himself sprinkled the consecrating blood of the victims on the people...

EXPOSITION THE HOLY GARMENTS. The special object of the present chapter is to prescribe the form, materials, colour, etc; of the holy garments—or the attire of those who were to minister in the tabernacle at the time of their ministration. As the service of the tabernacle was about to be committed to Aaron and his sons, their selection for this office is mentioned in Exodus 28:1, and their investiture and consecration briefly touched in Exodus 28:41. Otherwise the whole chapter is concerned with the attire That of Aaron is first prescribed (Exodus 28:4-2). It consists of an ephod ...

WITH THE WORK OF AN ENGRAVER IN STONE,.... Not in common but precious stones: Moses was not to do this himself, as it could not be supposed he should, but he was to employ an engraver, whose business it was, and one that was capable of doing it in a professional manner: [LIKE] THE ENGRAVINGS OF A SIGNET SHALL THOU ENGRAVE THE TWO STONES WITH THE NAMES OF THE CHILDREN OF ISRAEL: as in signets or seals, by which impressions are made on wax, the letters or figures are cut deep, that they might on the wax stand out; so it seems the letters of the names of the children of Israel were cut in these stones: this shows that engraving on precious stones is very old, and the ancients indeed are said to excel in this art: THOU SHALT MAKE THEM TO BE SET IN OUCHES OF GOLD; in beazils or sockets, such as precious stones in rings are set in; these with the stones in them served as buttons to fasten to...

CHAPTER 28 THE PRIESTHOOD _ 1. Aaron and his sons (Exodus 28:1)_ 2. The garments mentioned (Exodus 28:2) 3. The ephod (Exodus 28:5) 4. The breastplate (Exodus 28:15) 5. The robe of the ephod (Exodus 28:31) 6. The mitre (Exodus 28:35) 7. The ordinary garments (Exodus 28:39) This chapter is still richer in typical lessons, a ver

EXODUS 28. P (Exodus 28:26; Exodus 28:41 later). PRIESTLY VESTMENTS. After the sanctuary and its fittings have been ordered, the vestments for the priesthood come up for mention. For the strange story of the development of the priest-hood in Israel, _see_ pp. 106f. Here we find, no doubt, a simple assumption that Aaron and his sons wore the same vestments as were worn by the Zadokite High Priest and his assistants in the Temple of Zerub- babel. Sir_45:9-22; Sir_50:1-21 are a complete proof that the splendour of the Temple ritual and its religious value were fully appreciated by the Hebrew sages, cultivated men of the world who cared deeply for religion as well as for morality. Of Aaron's four sons, Nadab and Abihu are named in...

OUCHES. sockets for precious stones....

Two onyx stones, enclosed in filigree settings of gold, and each engraved with the names of six of the tribes of Israel, to be fixed on the top of the two shoulder-straps. _onyx_ see on _v._20....