Apocalipse 21:19

And the foundations of the wall... — Better, The foundations of the wall of the city (were) adorned with every precious stone. We may compare the adornment of the harlot (Apocalipse 17:4). Her robe was decked with gold, and precious stones, and pearls. The Bride, the Lamb’s wife, has her beautiful ornaments, richer and rarer than those which adorned the world-mistress. The comparison reminds us, in a vivid and figurative way, of our Master’s often-repeated teaching. He that saveth his life, loseth it; he that loseth, saveth it; he that is content to pass by the dazzling attractions of the world, refusing splendour from the outstretched hand of Babylon, will win the true spiritual riches. There is no man that has turned away for Christ’s sake from the attractions of the world-spirit, that hath forsaken houses and lands for Christ’s sake and the gospel, but shall receive manifold more, &c. (Marcos 10:28). The “jewels of right celestial worth” are part of the heritage of him who can nobly hold cheap the degrading hire of the world. (Comp. Isaías 54:12.)

The foundation are various. There were in the foundation of the Church diversities of gifts and administrations, but the same Lord and the same spirit. In the heavenly city we have harmony, not monotony; variety, not sameness; unity, not uniformity. The stones are not arranged in the order of the high priest’s breastplate, but according to their various shades of colour, beginning from the foundation.

1.

Jaspis, dark opaque green.

2.

Sapphirus, Lapis-lazuli, opaque blue.

3.

Chalcedon, an Emerald of a greenish hue.

4.

Smaragdus, bright transparent green.

5.

Sardonyx, white and red.

6.

Sardius, bright red.

7.

Chrysolite, our Topaz, bright yellow.

8.

Beryl, bluish green.

9.

Topazion, or Peridot, yellowish green.

10.

Chrysoprasus, a darker shade of the same colour.

11.

Hyacinthus, Sapphire, sky blue.

12.

Amethystus, violet.

“Chrysoprasus is probably an error for Chrysopaston, a dark blue stone, studded with gold, by which substitution all the shades of blue will follow each other.” (See King, On Gems.)

With this blended harmony of colour the foundation-stones would encircle the heavenly city as with a rainbow belt. In the seer’s view the light of the heavenly city would shine with hues that betoken the advent of the morning. The varying tints would glow like pledges of a dayspring from on high.

“Along the tingling desert of the sky,
Beyond the circle of the conscious hills
Were laid in jasper-stone as clear as glass
The first foundations of that new, near Day,
Which should be builded out of heaven to God.

Jasper first, I said;

And second, sapphire; third, chalcedony;
The rest in order;-last, an amethyst.”

The foundation-stones are twelve. “As twelve, they indicate their numerical completeness (Apocalipse 7:14); as shining with a common lustre, their unity; as stones of different hues, their manifoldness; as brilliant stones, the glorification of this earthly life through the light of Heaven” (Lange).