Salmos 107

Book V.
CVII.

Two widely different accounts have been given of this psalm; one, that it describes historically the dangers and sufferings of the return from captivity, and the Divine power and guidance which brought the redeemed safely through them; the other, that it presents a general picture or group of pictures of the vicissitudes of human life and the interposition of Divine Providence. The true explanation probably lies intermediate between these two. Salmos 107:2 leave no room for question that the poet had the Return primarily in his mind. Indications in the same direction are supplied by the many expressions and figures taken from the later Chapter s of Isaiah, among which is prominent the phrase “the redeemed of Jehovah.” But, on the other hand, the series of vivid pictures of which the greater part of the poem is composed are not directly historical, notably the sea-piece (Salmos 107:23).

While, therefore, the psalm may properly be regarded as a lyric embodiment of the lessons of the Captivity, it applies these lessons to the human lot generally, and travels over the whole experience of human life for the pictures under which it presents them. The fortunes of his own race were uppermost in the psalmist’s mind, but the perils depicted are typical of the straits into which men of all lands and all times are driven; and he had learnt that the goodness and wisdom which at the cry of prayer come to extricate and save are not confined to one race, but are universal and continuous.
Critics unite in assigning a late date for the composition of this poem, and no one doubts that it was intended for liturgic use. The beautiful double refrain marks the division of its somewhat irregular versification.

Of the unity of the poem there is considerable doubt. The piece beginning at Salmos 107:33 is not only in form very different from the first, but bears marks of greatly inferior poetical power. (See Note to Salmos 107:33.)