Salmos 114

CXIV.

This psalm is among the most artistic in the whole collection. Though ending so abruptly as to suggest-that it may be a fragment (the LXX., Syriac, Arabic versions, and some MSS. capriciously join it to the following psalm) it is in form perfect. The versification is regular, and the stanzas as complete and finished as in a modern hymn, consisting each of four lines, and presenting each a perfect example of synthetic parallelism. (See Introduction, § 5.) But a higher art displays itself here. The reserve with which the Divine name is withheld, till everything is prepared for its utterance, and the vivid manner in which each feature of the rapid scene is flashed upon us by a single word so that a whole history is accurately presented in a few graphic touches, achieve a dramatic and a lyric triumph of the most remarkable kind. Besides the historic interest of the psalm as part of the Hallel, and of the hymn sung with Christ before His passion, it has a new interest from Dante, who makes it the passage song of. the spirits into Purgatory: —
“Upon the storm stood the celestial pilot;
Beatitude seemed written in his face,
And more than a hundred spirits sat within.
‘In Exitu Israel de Egypto’
They chanted all together in one voice.
With whatso in that psalm is after written.” —

Purg. 45 (LONGFELLOW).